Carmen Beuchat

Publicaciones

The new exhibition Embodied Absence looks at works of art from Chile in the 1970s - photos and videos - in the aftermath of the Pinochet coup. Art was created in highly coded language to evade censorship, and exhibited in public space in lieu of institutional support, using the human body as primary medium. Choreographer Carmen Beuchat is pictured during the dress rehearsal in the Carpenter Center at Harvard University. Stephanie Mitchell/Harvard Staff Photographer

(English) ‘Disappearing’ Chilean art

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